Digital Division Is Cultural Exclusion. But Is Digital Inclusion Cultural Inclusion?

Digital Inclusion

Visualising the »Un-seen«: Towards Critical Approaches and Strategies of Inclusion in Digital Cultural Heritage Interfaces

In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflic...

E - Health and Digital Inclusion

E-health resources can deliver demonstrable benefits for quality of care, for example through provision of public health information and access to online communities and self-help groups for those experiencing ill-health. Digitally excluded groups of health consumers such as older people and those with disabilities have much to gain from the social connectedness and social support offered throu...

Inclusion-exclusion meets exclusion

When evaluating the inclusion-exclusion expansion N0 −N(1) −N(2) − · · ·+N(1, 2) +N(1, 3) + · · · many of the terms N(· · ·) may turn out to be zero, and hence should be discarded beforehand. Often this can be done.

Digital Cultural Communication:

The design and implementation of audience-focused immersive media-rich physical environments is a familiar landscape within the commercial sphere. From theatre and theme parks to autoshows and airports, commercial interdisciplinary design and production teams have extended and solidified the new media agenda. The success of this track record is demonstrated by the increasing presence of commerc...